FIG

Fig. 75 Fig. 76 Fig. 77-80 Fig. 8.3 Fig. 8.4 Fig. 8.5 Fig. 8.7 Fig. 8.9 Fig. 81 Fig. 83 Fig. 84 Fig. 85 Fig. 87 Fig. 87ff Fig. 9.3 Fig. 9.4 Fig. 9.5 Fig. 9.6 Fig. 9.8 Fig. 90 Fig. 91 Fig. 92 Fig. 93 Fig. 95 Fig. 95ff Fig. 96 Fig. 97 Fig. 98 Fig. 99 Fig. A: Dispersion in Full Spectrum Patterns Fig. B Fig. II-22 Fig. Q 75 Fig. VII-43 Fig. XIX-1 Fig.02 (My Head And The Chainsaw) Fig.2_10_Sliding Up (page 22) Fig.2_11_Sliding Down (page 22) Fig.2_13_Playing to Bass Rhythm (page 22) Fig.2_14_Playing to Bass Rhythm (page 22) Fig.2_15_Using minor 7th chords (page 23) Fig.2_16_Using major chords (page 23) Fig.2_17_Using dominant chords (page 23) Fig.2_18_Using II-V (page 23) Fig.2_19_Diatonic cadence (page 23) Fig.2_1_Pad (page 21) Fig.2_21_I-IV-V major (page 23) Fig.2_22_I-IV-V minor (page 23) Fig.2_25_Subdominant chords (page 23) Fig.2_26_Sus chords (page 23) Fig.2_28_Classic Funk Rhythm (page 23) Fig.2_2_8th Note Anticipation (page 21) Fig.2_30_Classic Funk Rhythm (page 24) Fig.2_32_Classic Funk Rhythm (page 24) Fig.2_3_More 8th Note Anticipation (page 21) Fig.2_4_16th Note Anticipation (page 21) Fig.2_5_8th and 16th Note Anticipation (page 21) Fig.2_6_8th Note with 16th Anticipation (page 21) Fig.2_7_Use of Rests (page 21) Fig.2_8_8th- and 16th Anticipation (page 21) Fig.3_10_Leading Left Hand (page 27) Fig.3_12_Adding 5th in Bass (page 27) Fig.3_13_Adding 5th in Bass (page 27) Fig.3_15_Replacing Melody (page 28) Fig.3_23_Chopping (page 29) Fig.3_9_Alternating Left and Right (page 26) Fig.4_1_Blues Licks (page 32) Fig.4_2_Minor Pentatonic Licks (page 33) Fig.4_3_Major Pentatonic Licks (page 34) Fig.4_4_Minor Licks (page 34) Fig.4_5_Fourth Licks (page 35) Fig.4_6_Horn Licks (page 35) Fig.4_8_Cadences (page 37) Fig.5_2-4_Whole- and Half Step Bends (page 39) Fig.5_5_ Half Step Bend Exercises (page 39) Fig.6_1_ Synth Bass 1 (page 41) Fig.6_2_ Synth Bass 2 (page 41) Fig.6_3_ Synth Bass 3 (page 41) Fig.6_4_ Synth Bass 4 (page 41) Fig.6_5_ Synth Bass 5 (page 41) Fig.6_6_ Synth Bass 6 (page 42) Fig.6_7_ Synth Bass 7 (page 42) Fig.6_8_ Synth Bass 8 (page 42) Fig.7_1_ Multiple Keyboard Play 1 (page 43) Fig.7_2_ Multiple Keyboard Play 2 (page 43) Fig.7_3_ Multiple Keyboard Play 3 (page 43) Fig.7_4_ Multiple Keyboard Play 4 (page 44) Fig.7_5_ Multiple Keyboard Play 5 (page 44) Fig.8_10_ Clav Groove 2 (page 47) Fig.8_11_ Synth Groove 4 (page 47) Fig.8_12_ Organ Groove 1 (page 47) Fig.8_13_ Organ Groove 2 (page 47) Fig.8_14_ Organ Groove 3 (page 47) Fig.8_15_ Grand Piano Groove 2 (page 48) Fig.8_16_ Synth Groove 5 (page 48) Fig.8_17_ Clav Groove 3 (page 48) Fig.8_18_ Clav Groove 4 (page 48) Fig.8_19_ Organ Groove 4 (page 48) Fig.8_1_ Rhodes Groove 1 (page 45) Fig.8_20_ Synth Groove 6 (page 48)

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